Date finished: 30 August 2014
Rating: 2*
I have extremely strong feelings about this book – not all
of them good ones – so forgive me if this turns into a rant.
The golden inscription set under Baldacci’s name proclaiming
him the Sunday Times Number One Bestseller gave me high hopes for this novel,
as did the first page, printed on bright red paper with the following attributes
to Baldacci:
“David Baldacci is the author of twenty-seven books for
adults, each of which has become both a national and international bestseller.
His astonishing career started with ‘Absolute Power’, which was adapted into a
major motion picture starring Clint Eastwood. David’s books have sold more than
110 million copies worldwide and have been translated into more than forty-five
languages. Together with his wife, Michelle, David established the Wish You
Well Foundation to promote family literacy. David and his family live in
Virginia, USA.”
Forgive me if I’m mistaken, but under normal circumstances I
would take these achievements as a warning that the novel should be the most
incredibly badass, phenomenally written piece of perfection on the planet.
Combined with the blurb on the back, which reads, “Enter a village imprisoned
by its fear of the unknown. Where curiosity is discouraged, and no one has ever
left – or wanted to. Until now,” I expected something as good as ‘The Hunger
Games’, or even better. Not to mention that my parents read Baldacci’s novels
almost religiously, so when they saw he’d written a teen fiction, they
practically threw the book at me and told me I had to read it.
Given that I’ve rewarded ‘The Finisher’ with two stars
rather than five, I’m sure you’ve guessed that it did not measure up to my high
expectations.
If anything, the single red page of achievements should not
have been viewed as a warning, or even an indication of how good the novel
should have been, but rather as an excuse. “Yeah, this book may be the biggest
failure on the planet… BUT LOOK AT ALL THESE OTHER PRETTY THINGS I’VE WON SO I
MUST BE A GOOD AUTHOR AND YOU’RE WRONG IF YOU CRITICIZE ME.”
If the intention of the bright red page was to make me doubt
my – now extremely low – opinion of the book, it failed.
I’ll start off with the things I found right with ‘The
Finisher’. There are only two, really – one for each star I awarded the book.
The first is that I cannot deny that Baldacci writes action-filled fight scenes
very well. The action in ‘The Finisher’ might just be enough for Hollywood to
churn out yet another movie with Baldacci’s name flashing for a second or two
at the end, though perhaps this time there will be no Clint Eastwood to draw in
a semblance of an audience. The second good thing I could find in the story was
Baldacci’s decision to have a female protagonist, who single-handedly defeated
just about every single male antagonist that she came into contact with.
Although, now that I think of it, his feminist approach to the story might just
have been a way to gain respect from female teen readers.
This brings me onto my next point. I hated the way that ‘The
Finisher’ was written. The protagonist, Vega Jane, was a girl with whom I was
totally unable to relate. As I have said over and over again in many of my
other reviews, this can absolutely destroy a story’s chance at success. All
realistic and likeable characters have something to which the reader can
relate. Furthermore, the storyline itself was disjointed and random. The
perfect comparison for the storyline is of a feverish dream, where everything
may make sense to the person dreaming it (in this case Baldacci) but when he
wakes up and tells it to others (perhaps the readers), they realize that the
dream made no sense at all, and the images that may have seemed bright and
exciting in the dream-world were actually just the jumbled confusion of a
crazed mind.
To conclude, I was disappointed with Baldacci’s work. ‘The
Finisher’ had so, so much potential to be a phenomenal read, but it was sloppy
and annoying. Perhaps it is better suited to younger readers who are not so
consumed by the necessity of beautiful writing, and desire action over quality.